Wide Angles is the practice of using a wide-angle perspective to make triangles feel inevitable—gables, wedges of lawn, street corners, window bays, and converging lines that form strong triangular shapes. The wide lens doesn’t just record the triangle; it amplifies it, stretching edges, deepening corners, and turning geometry into the subject.

The Wraparound is the wide-angle technique of placing the viewer at a bend, corner, or seam so the scene appears to curve around them. It’s the feeling of being inside the geometry—where streets, walls, rails, or facades sweep outward to the left and right, and depth becomes a physical sensation.

A deliberate shift in vantage—low, high, tilted, compressed, or wide—that changes how the city “behaves” inside the frame. Altered Perspectives isn’t about the subject (a tower, a street, a skyline) so much as the position you choose to describe it: street-level immersion, upward vertigo, balcony-scale overview, or foreground-anchored compression.

Bigger Than The Frame is a composition strategy where the subject’s scale is communicated by refusing to contain it. The building (or structure) extends beyond the edges of the photograph—top, sides, or both—so the viewer feels the continuation. The frame becomes a window onto something larger, not a box that neatly holds it.